CIRCLE OF FOURTH AND CIRCLE OF FIFTH (things you must know about them) (part 2)
HOW TO APPLY THE
PRINCIPLE OF CIRCLE OF FOURTH OR FIFTH TO A SONG
Thank you for learning the mysteries behind the circles of
fourth and the circle of fifth. But if you have not read this post: click here. You will find out the
meaning of the circle of fourth and fifth, the scale, chords and the progressions
using the circles.
Today, I want to explained the some tips you will perceive
from every contemporary player both intermediate and advanced music players
using circle of fourth and circle of fifth.
Highlight of the
progressions in the key of C
include:
MAJOR ii – V – I PROGRESSIONS
|
MINOR ii – v
– i PROGRESSION
|
|||
C
|
C major
|
I
|
C
|
C minor
|
D
|
D minor
|
II
|
D
|
D half
diminished
|
E
|
E minor
|
Eb
|
Eb major
|
|
F
|
F major
|
F
|
F minor
|
|
G
|
G major
|
V
|
G
|
G minor
|
A
|
A minor
|
Ab
|
Ab minor
|
|
B
|
B half diminished
|
B
|
B half diminished
|
|
This actually reveals the ii – V – I progression in the
diatonic scale of C
WATCH! this video for better understanding
WATCH! this video for better understanding
Other ii – V – I
progression in the scale of C
MAJOR ii – V – I PROGRESSIONS
|
||
C
|
C major
|
I
|
D
|
D minor
|
ii
|
E
|
E minor
|
iii
|
F
|
F major
|
IV
|
G
|
G major
|
V
|
A
|
A minor
|
vi
|
B
|
B half diminished
|
vii
|
1. iii – vi – ii ( E, A, D)
MAJOR ii – V – I PROGRESSIONS
|
||
Scales
|
Chords
|
|
C
|
C major
|
I
|
D
|
D minor
|
ii
|
E
|
E minor
|
iii
|
F
|
F major
|
IV
|
G
|
G major
|
V
|
A
|
A minor
|
vi
|
B
|
B half diminished
|
vii
|
2. v – I – IV (G, C, F)
MAJOR ii – V – I PROGRESSIONS
|
||
Scales
|
Chords
|
|
C
|
C major
|
I
|
D
|
D minor
|
ii
|
E
|
E minor
|
iii
|
F
|
F major
|
IV
|
G
|
G major
|
V
|
A
|
A minor
|
vi
|
B
|
B half diminished
|
vii
|
3. vii – iii – vi (B, E, A)
Minor ii – V – I PROGRESSIONS
|
||
Scales
|
Chords
|
|
C
|
C major
|
I
|
D
|
D minor
|
ii
|
E
|
E minor
|
iii
|
F
|
F major
|
IV
|
G
|
G major
|
V
|
A
|
A minor
|
vi
|
B
|
B half
diminished
|
vii
|
Finally, the last ii – V – I progression here has a different
approach because you will start playing from outside the diatonic scale and
resolve back to it. Therefore I m adding a note and its chord which are not in
the scale.
4. #iv – vii – iii (F#, B, E)
Minor ii – V – I PROGRESSIONS
|
||
Scales
|
Chords
|
|
C
|
C major
|
I
|
D
|
D minor
|
ii
|
E
|
E minor
|
iii
|
F
|
F major
|
IV
|
F#
|
F minor
|
#iv
|
G
|
G major
|
V
|
A
|
A minor
|
vi
|
B
|
B half
diminished
|
vii
|
Hence, if you practice these ii – V – I progressions and you
hear the sound. You will discover that you have somehow been using this
progressions unaware.
Note: do not practice this lesson on the key of C alone, work on it other keys and you discover how interrelated
the chords are.
Quick review on list of
progression in all the 12 keys using the circles
I ii
iii IV V vi vii
C major: C Dm Em
F G
Am Bø
G major: G Am Bm C D
Em F#ø
D major: D Em F♯m
G A
Bm C♯ø
A major: A Bm C♯m
D E F♯m G♯ø
E major: E F♯m G♯m
A B
C♯m D♯ø
B major: B C♯m D♯m E F♯
G♯m A♯ø
F♯ major: F♯ G♯m A♯m
B C♯ D♯m E♯ø
G♭ major: G♭ A♭m B♭m C♭ D♭
E♭m Fø
D♭ major: D♭ E♭m Fm
G♭ A♭ B♭m Cø
A♭ major: A♭ B♭m Cm
D♭ E♭
Fm Gø
E♭ major: E♭ Fm Gm
A♭ B♭
Cm Dø
B♭ major: B♭ Cm Dm
E♭ F
Gm Aø
F major: F
Gm Am B♭ C Dm Eø
Where major ( ),
minor (m) half dim(ø)
Practice! Practice‼ Practice!!!
Thanks I hope this helps
Next Time: Chord Substitutions On ii
– V – I Progressions Forming The Circle Of Fourth And Fifth

Comments
Post a Comment